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““To hear all of us singing together, especially at the end of the song, and know it was that guitar that we hear every time we hear the studio recording was truly a transcendent moment for me, where I felt like I was just a vessel for the music to pass through.“ Trending Stories Kelly Clarkson Responds to Brooklyn Store After They Refute Her Bad Shopping Experience The 2027 Grammys Race for Record of the Year Is the Most Competitive in Ages RJ Mitte, 'Breaking Bad' Star Who Played Walt Jr., Dead at 34 The Right’s Desperate Conspiracy Theory About James Talarico Goes Up In Flames While MMJ might be slowly catching up to the Dead in terms of their Fillmore history, the run wasn’t a passing of the torch so much as a hug and a handshake acknowledging the linear nature of music.”
“That sequence, albeit spread out over two nights, represented the traditional segue that the Dead used to connect the two songs, always performing them together as a musical suite.”
“A message on MMJ’s socials stated: “We look forward to laughing, dancing, and singing together while celebrating every color of the rainbow and all of the beauty, diversity, and magic in this wild, wonderful world!” Somewhere along the way, the Jacket decided to focus the run’s narrative arc on a celebration of the Grateful Dead, connecting the Dead’s dots between the bands, the venue, and the city in ways that ranged from subtle nods to overt testimony.”
“Sure, the Grateful Dead played there, but it was also about showcasing a generation of artists faithful to the sound and essence of the Dead.”
“Account Welcome Manage Account Manage Print Account Sign Out Log In I'm Amazed My Morning Jacket Connect the Grateful Dead Dots in Faithful San Francisco Residency The band concluded a seven-night run at the Fillmore that corresponded to the seven colors of the rainbow By Benjy Eisen Benjy Eisen Take the World’s Hardest Phish Quiz Here’s How Phish Outdid Themselves With Their Nine-Night, No-Repeats Sphere Run Bill Kreutzmann Reveals Taj Mahal Team-Up: ‘I Want People to Freak Out’ View all posts by Benjy Eisen October 12, 2026 Add us as a Google Preferred Source From left to right: Jim James, Karina Rykman, and Tom Blankenship perform at The Fillmore in San Francisco.”
“It was guest bassist Karina Rykman’s first time playing on the Fillmore stage, even though she had seen Los Lobos there a decade before.”
“It was implied that the residency would draw upon multiple bonds that the band has built with the venue, the city, and the surrounding Bay Area fanbase over the years.”