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“There’s a tender heartbreak to Borisov’s performance, a loss of innocence which slowly gives way to a well-justified paranoia, but it’s a drag to watch Ilya catch up to the obvious about his CEO.”
““Artificial” focuses its attention on these details as if it were training a neural network to create associations between them.”
“At least Mark Zuckerberg had the decency to be duplicitous, Altman is just openly consumed by the mania of trying to win the most important technological arms race since the atom bomb.”
“The real Sam Altman recently said that he believes we have to accept “bad things” happening with AI in exchange for the benefits of the technology.”
“At one point, in the midst of a broadly amusing scene that Fincher would have played for its propulsive sense of history in the making, Geoffrey turns to the camera and exclaims that “it feels like we’re in a movie!” “The Social Network” had to respect its characters because Aaron Sorkin is physically incapable of writing someone who couldn’t talk down to a giant, but “Artificial” has no such hangups.”
“By David Ehrlich Plus icon David Ehrlich davidehrlich More stories by David ‘Behemoth!’ Review: Pedro Pascal Plays a Wayward Cellist in Tony Gilroy’s Movingly Atonal Character Study About How People Conduct Themselves Read more ‘Verity’ Review: Dakota Johnson and Anne Hathaway Co-Star in a Fun and Frigid Psycho-Thriller Read more ‘Digger’ Review: Tom Cruise and Alejandro González Iñárritu Almost Hit Rock Bottom in Surreal Misfire About Our Collective Self-Delusion Read more October 6, 2026 8:30 am Add us as a Google Preferred Source 'Artificial' Courtesy Everett Collection Share Share on Facebook Post Share on LinkedIn Show more sharing options Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp In case anyone at the world premiere of Luca Guadagnino ’s “ Artificial ” wasn’t already thinking of the OpenAI biopic as an unofficial sequel to “The Social Network,” the screening was unexpectedly preceded by a musical performance from Damon Albarn, in which the Blur frontman and occasional movie composer was joined onstage by a youth choir for a rendition of an original dirge he wrote for the film about how we’re all singing our way straight into hell.”
“No, this dark comedy would never have survived the kind of sharpness that Sorkin wrote into “The Social Network,” but its general buffoonery makes it difficult for “Artificial” to wrangle important details into place when the time comes.”
“Powered by WordPress.com VIP NYFF ‘Artificial’ Review: Luca Guadagnino’s Dark and Campy Tech Comedy Shows Just How Stupid the Road to Smarter AI Has Already Been Andrew Garfield is a diabolical villain as techno-nihilist Sam Altman in the sequel "The Social Network" deserves.”
“When presented with the idea that a financially incentivized ChatGPT model might encourage young people to kill themselves, Altman deadpans: “I didn’t invent teen suicide.” Later, during an appropriately eerie climactic moment in which the pseudo-Satanic tech exec is trying to sell his dream of shepherding in the next phase of life on Earth, all he can muster is a self-satisfied “It’s gonna be awesome.” It’s enough to make you want to reach through the screen and strangle him with both hands.”
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