https://www.indiewire.com/features/podcast/you-can-see-everything-how-documentary-came-together-1235222750/
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“Read More: A24 Film Filmmaker Toolkit Podcast Interviews Lance Oppenheim Nathan Fielder You Can See Everything Daily Headlines Daily Headlines covering Film, TV and more.”
“You can also watch the full interview on YouTube .”
“‘You Can See Everything’ Courtesy of A24 “It was seven people that [just] went into that house in Del Mar, where Elizabeth and her partner Billy were living, and we didn’t know what we would find,” said Oppenheim.”
“You can essentially fish.” Regardless of the kill switch, fishing was Fielder and Oppenheim’s only option — there was no time to prep, let alone figure out the movie ahead of time.”
“By Chris O'Falt Plus icon Chris O'Falt VP, Features Strategy https://twitter.com/cofalt/ More stories by Chris Bill Burr vs.”
““Nathan was so skeptical about this being anything, and obviously I’m coming at it from the other side, ‘I’m working potentially with one of my cinematic heroes, so I want this to work.”
““There’s these moments that are happening before us that feel extremely layered and dense.”
“I think the cognitive dissonance of this experience is cinematic.”
“The two had become fast friends after Oppenheim reached out to Fielder about his first film “ Some Kind of Heaven ” — he knew Fielder had received a screening link, but when Oppenheim logged into the screening service, he could see the “Nathan for You” creator had only watched a portion of the 85-minute documentary.”
“Powered by WordPress.com VIP Filmmaker Toolkit ‘You Can See Everything’: Nathan Fielder Was So Skeptical He Could Break New Ground in Elizabeth Holmes Story, He Negotiated a Kill Switch with A24 Co-director Lance Oppenheim takes IndieWire inside the extremely unusual way his collaboration with Nathan Fielder and Elizabeth Holmes documentary came together.”
““There were things that we were seeing that we could not agree on.”
“‘You Can See Everything’ A24 “It felt like we were suddenly in this zone, almost like the zone in [Russian director Andrei] Tarkovsky’s ‘Stalker,’ it felt a little bit like [another Tarkovsky movie] ‘Solaris,’ it felt like we were in this place that the laws of reality and what we were seeing, no one could agree on anything, and that was the first time where Nathan, I think [started to see a film]” said Oppenheim.”
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““From what I had heard, A24 was interested and then backtracked because they got a little nervous and just didn’t have a director.” Assuming the universe was speaking to him when Holmes’ name was injected into their Magic Castle hang, Oppenheim told Fielder about the rumor he’d just heard, and argued, if true, the project could be intriguing for two very different reasons: “First off, why A24?”
“And the second, more substantial, reason: Holmes hadn’t done an on-camera interview since Theranos imploded.”
“I wasn’t in the conversation [Fielder was the one engaging with Evans and Holmes].’” The co-directors turned to their trusted crew to settle their debates, but Bolen, Mitchell, and Carlos each had interpretations of their own.”
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“The details of said implosion were later unearthed by the Wall Street Journal, only to become a fascination for the general public, who couldn’t get enough of the story of the young CEO who conned Silicon Valley out of billions, via a popular podcast, best-selling book (“Bad Blood”), an Alex Gibney documentary , and a scripted Hulu limited series (“ The Dropout “) starring Amanda Seyfried as Holmes.”
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