https://www.rollingstone.com/music/music-features/madonna-confessions-ii-making-interview-stuart-price-1235644422/
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““Before ‘Bad Girl’ on the Celebration Tour, there was a moment where Madonna’s daughter Mercy played piano,” Price says.”
““ Confessions One is 2005, and I think looking back only gets you so far,” says Price.”
“For the sequel to 2005’s Confessions on a Dance Floor, she reunited with that album’s producer, Stuart Price , and crafted a relentless DJ set of an album that also includes some of her most emotionally bare songs: a duet with her daughter Lola (“The Test”) and wrenching songs about her late stepmother (“Betrayal”) and her late brother, Christopher Ciccone (“Fragile”).”
““Lola had said to her mother, like, ‘I’d like to do a song together,'” Price says.”
“That week when we were working, her brother had been very sick, and things got worse, and we were writing a song at the time….”
““We came to London to my studio here, and we just said, ‘Let’s do a week and see what happens,'” says Price.”
“She brings her full pop firepower, too, on songs from the Sabrina Carpenter duet “Bring Your Love” to the Eighties reminiscence of “Danceteria.” It all helped win Madonna Artist of the Year at this year’s VMAs, where she opened the show with a guest-star-packed performance, her first on the awards show in 23 years.”
““And yes, I’m being cryptic, but that’s because I think that we still love this continuum idea that Confessions is really an extended moment of time that has different elements to the performance of it.” Download and subscribe to Rolling Stone Music Now , hosted by Brian Hiatt, on Apple Podcasts or Spotify (or wherever you get your podcasts).”
““‘Fragile’ as an idea, I think, was also in the week where she had another loss,” Price says.”
“It was pretty clear from early on, maybe in the second week of working, that actually the Confessions sound, amongst other things, is really a sound of our collaboration.”
“In the new episode of Rolling Stone Music Now , Price breaks down the making of Confessions II , and goes deep on the stories behind “The Test,” “Fragile,” and “I Feel So Free,” his decades-long creative partnership with Madonna, and much more.”
“… But then it was just the way the stars lined up, I think, that what was going on that week became a much more current and appropriate subject.” Madonna’s duet with her daughter Lola, “The Test,” still gives Price chills.”
““I think the most notable thing is just how natural the continuation was,” he says.”
“To hear the whole episode, listen on Apple Podcasts or Spotify , or just press play above.”
“And look for dozens of episodes featuring genre-spanning discussions, debates, and explainers with Rolling Stone’s critics and reporters.”
“We just acted in the moment and made the music that felt right.” The song, he says, “really emerged as a simple song about how touch feels good, about how connection feels good, about how letting your hair down just feels good.”
“… You’re not discussing what you’re gonna do before you do it.”
“And having that kind of non-verbal shorthand together allows you to move kind of quickly through ideas.” Madonna was determined not to look backwards.”
“… That piece became a starting point for a song.”
“Like, no matter what’s going on, I’m gonna go into that studio.”
“And I have children of my own, like, thinking about the power of those bonds and of those connections, … and seeing it from a third party was a very emotional thing.” Lola, he adds, “is a completely exceptional artist in her own right.” Trending Stories Eminem Defends New Collaboration With 'Old Friend' Kid Rock: 'Not About Choosing Sides' Dave Grohl and Pat Smear Bring Some Foo Fighters Style to the Pretty Reckless’ ‘About You’ ‘I’m Not Allowed to Drive’: Billy Joel Shares Health Update as He Prepares to Sell Vintage Motorcycles Pharrell Trying to 'Rewrite History' and 'Erase' Chad Hugo from Neptunes, Producer Claims The VMAs required a “tour-level” amount of preparation , and each live performance of this album’s music was approached just as deliberately .”