https://www.indiewire.com/criticism/movies/bunker-review-javier-bardem-penelope-cruz-1235215377/
30 candidatos extraídos · 0 já revisados · 30 pendentes · 2.7% de cobertura de vocabulário
“Alas, for all of his brilliance, Miguel struggles to recognize the emergence of his own paranoia, let alone to identify its source.”
“Grade: C “Bunker” premiered at the 2026 Venice Film Festival.”
“In a sense, we are watching Bardem and Cruz go about their day-to-day lives inside a massive glass box, and the challenge “Bunker” presents to them is to not shirk away from each other and themselves as a consequence of being so visible.”
“The “right” and “wrong” choices are plain as day, and so Zeller relies on Graham’s character to confuse the terms.”
“None of this will be of much concern to Miguel and Sofia, or to us, in 100 years, and it’s rare for even the healthiest of marriages to last even half that long.”
“The Lucas Museum Doesn’t Have a Narrative 4.”
“In fairness to the lad, if Javier Bardem and Penélope Cruz moved into a massive glass box right next to the rundown flat my working class family had been clinging to for generations as the neighborhood transformed around them, I would probably feel the urge to peek in on their lives as well.”
“Of course, Graham’s job is to muddy the waters — to play up the socioeconomic biases of his screen persona so that viewers are willing to at least entertain the idea that Miguel has valid reason to be so afraid of everything.”
“Zellner takes pains to ensure that no one else has the same problem.”
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“The tech bro is the pharaoh of our times, but the underground ark he’s hoping to build for himself has a better chance of surviving whatever comes next than he does.”
“It’s largely because of that tension, in turn, that the movie is able to disguise itself as a labored social thriller instead of a lunkheaded morality play, as Zeller’s well-crafted patina of suspense allows his script to power through its weaker subplots and threadbare existential concerns.”
“Zeller frames this film as a love story, and is eager — if maybe not quite eager enough — to mine a meta-textual thrill from the casting of such a famous real-life couple to play house for him.”
“If the success they’ve achieved has brought them to this, of what use was the success?”
“It would matter a bit more, I suspect, if the love story created for Bardem and Cruz to play out on screen was even the least bit evocative of that same vitality, even in a faded form, but — as Zeller’s film is prone to pondering — does anything really matter in the end?”
“To open windows instead of digging holes.”
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“It’s bunkers within bunkers here — bunkers all the way down.”
“Dave Bautista Shows Off Body Transformation to Play Kratos in 'God of War' Series: 'Two More Months to Get to Where I Need to Be' 2.”