https://www.indiewire.com/criticism/movies/the-echo-chamber-movie-review-luca-marinelli-1235212896/
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“Grade: B+ “The Echo Chamber” premiered at the 2026 Venice Film Festival.”
“A music producer living in the tony Eaton Place neighborhood of London, Leo is also a drug addict enmeshed in the codependent, unrequited care of medical doctor Anne ( Alicia Vikander ).”
“With the spirit of the lost 1990s arthouse, this is a mesmerizingly sad and sexy film anchored by what should go down as the best performance of Marinelli’s career.”
“Susan Sarandon co-stars as a chain-smoking singer/songwriter.”
“And it’s moody and even deliciously perverse enough in that Euro-chic arthouse way to somehow make it a highlight of Bertolucci’s, too.”
“By Ryan Lattanzio Plus icon ryan Ryan Lattanzio Executive Editor ryanlattanzio More stories by Ryan Susan Sarandon Says Roles Are Still Being ‘Taken Away’ from Her Amid Support of Palestine Read more ‘Primetime’ Review: Robert Pattinson Is Even Creepier Than IRL Chris Hansen in a Bleakly Invigorating ‘To Catch a Predator’ Thriller Read more ‘Elsinore’ Review: Andrew Scott’s Towering Performance as a Dying Actor Can’t Overcome AIDS-Movie Awards Bait Clichés Read more September 6, 2026 1:45 pm Add us as a Google Preferred Source 'The Echo Chamber' Indigo Film Versus Share Share on Facebook Post google Google Preferred Share on LinkedIn Show more sharing options Share to Flipboard Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Good in bed, bad at intimacy.”
“In “ The Echo Chamber ,” an extraordinary Luca Marinelli plays the sort of guy for whom emotional closeness is a death sentence, the kind of guy who tells you he has “trouble sleeping next to other people” after he fucks your lights out, the devastatingly handsome one you’re ready to blow up your life and empty your bank account for after one night.”
“Vikander tends to get washed out in mismatched ensembles these days (“Hope,” “Rumours,” “The Wizard of the Kremlin”).”
““The Echo Chamber,” the vividly downbeat fourth feature from Italian writer/director Andrea Pallaoro (“Hannah,” “Monica”), adapts Bernardo Bertolucci’s final screenplay before he died, and the Oscar-winning grandmaster’s ghost is all over this movie, from its melodramatic excesses to its kinky-depressed onscreen sexuality.”
“Pallaoro’s piercingly moving study of addiction spirals into operatic exaggeration and blazing unsubtlety, but that shift never feels dishonest or betraying of the story he’s trying to tell.”
“There are times, though, when the staticness of the camera becomes a liability: Can we not meet these people on the level that they are at, which is raw and messy?”
“But Pallaoro, who with cinematographer Diego García photographs his actors wonderfully, blesses the Oscar winner with her plummiest role since Olivier Assayas’ TV adaptation of his own feature “Irma Vep.” The Bertolucci presence in the script is especially felt in how much of a voyeur Anne becomes, breaking into the now-sober Leo’s apartment, watching him sleep, and leaving tacit missives behind to make him perhaps aware that she is there.”
“Sarandon’s role feels like the only element of “The Echo Chamber” that’s out in space, especially as her songstressing feels a little bit closer to karaoke than stage-commanding.”
“Powered by WordPress.com VIP Venice ‘The Echo Chamber’ Review: Luca Marinelli and Alicia Vikander Are Sublime in a Brooding Addiction Romance Directed from Bertolucci’s Last Script Venice: A tragic (and tragically handsome) Marinelli plays a drug-addicted music producer enmeshed in Vikander's codependent, unrequited care in Andrea Pallaoro's intimately sad feature.”
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